Winners: Judy, CoffeeBill, Rosebud, Pluto, & Maddy
On a night when we celebrated Rosebud’s birthday, we also celebrated a first time happening – 5 winners! Seems that 6 wrong was the sweet spot tonight. We welcomed a few new players, including “the Goalie”, and “the Goal”, college students who may need a little more time with the books before they are competitive here. Of course, a few questions about events that took place while they were alive might help, too.
We had a nice chocolate cake with chocolate ganache icing from Copenhagen, and Rosebud blew out all the candles with one strong breath – pretty impressive.
Good Question: In 1953 what was the #1 TV show?
Answer: “I Love Lucy”
First, a bit of history.
In the 1940s, the three networks – NBC, CBS and ABC – were “networks” in name only. All of the programming originated, live, in New York. The only way the networks had to distribute the shows to the rest of the nation was to point a film camera at a television screen and convert video to film.
These 16mm films, known as kinescopes, were then duplicated and shipped to the few affiliated stations for broadcast later. By necessity, most programming was local, and cooking shows, wrestling and cartoons took up most of the broadcast day.
The networks became true networks when AT&T finished laying a system of coaxial cables from coast to coast. Coax – the now familiar cables the run from cable TV wall outlets to today’s tuners – has enough bandwidth to transmit hundreds or even thousands of telephone calls as well as television signals.
“I Love Lucy”
At 9PM on Oct. 15, 1951, I Love Lucy went on the air, and has never been off since. The sitcom centers on an unforgettable showbiz-wannabe redhead, her Cuban bandleader husband and their landlords, who also happen to be their best friends and co-conspirators.
I Love Lucy is a hit that continues to entertain millions of people the world over. Perhaps the key to its success lies within the show’s mastery of a graceful transition — from sense to nonsense. Each episode opens with a plausible situation (home economy, child rearing, post-dating a check) thrown awry with exaggerated absurdity (Lucy is starched, frozen, stuffed with chocolate, locked in a trunk and lowered to the deck of a ship by helicopter, just to name a few). Yet somehow, the show and its heroine never seem to lose touch with the audience.
While the comic brilliance of Lucille Ball and the magic chemistry of the four main characters were cornerstones of the show, I Love Lucy owes much of its success to a behind-the-scenes band of brilliant creators. The show gave birth to the rerun; was the first to use a three-camera setup before a live audience; and overcame many technical obstacles of early TV through ingenious lighting, set design and editing.
Here is a fun clip from the show:
Some more history about early TV.
In 1952 for the first time, television news was able to broadcast the Republican and Democratic conventions live from Philadelphia to the rest of the nation. Common national carriage of popular TV shows, news and sports events meant that there was a shared national experience. Regional cultural differences were ironed out. A more generalized “American” culture co-opted regional subcultures.
We think we live in an era of great technological change. How about the 1950’s. Between 1949 and 1969, the number of households in the U.S. with at least one TV set rose from less than a million to 44 million. The number of commercial TV stations rose from 69 to 566. The amount advertisers paid these TV stations and the networks rose from $58 million to $1.5 billion!
Television programming has had a huge impact on American and world culture. Many critics have dubbed the 1950’s as the Golden Age of Television.
TV sets were expensive and so the audience was generally affluent. Television programmers knew this and they knew that serious dramas on Broadway were attracting this audience segment.
So, the producers began staging Broadway plays in the television studios. Later, Broadway authors, like Paddy Chayefsky, Reggie Rose and J. P. Miller wrote plays specifically for television. Their plays – Marty, Twelve Angry Men, and Days of Wine and Roses, respectively – all went on to be successful movies.
Contrast this with today’s TV fare – “Jersey Shore”, “Queer Eye for the Straight Guy”, and who can forget, “Dog, the Bounty Hunter”. Yeah, it really was better back in the old days.
sources: livinghistoryfarm.org, tvland.com,